“On their sublime debut ‘Come Play The Trees’ you hear the group proffering buzzing drones, the kind of ritualistic psychedelia that future pagans will whirl round sacrificial bonfires to, David Bowie jamming with Neu! on the nihilistic impenetrability of ‘Johnny Guitar Calling Gosta Berlin’, sinewy synth lines gleefully vying with clattering percussion, and a general sense of a group channeling dark impulses through psychic rifts known only to a select few.” – Electronic Sound
Snapped Ankles‘ mysterious debut Come Play The Trees was one of the stranger albums I reviewed for Electronic Sound last year, and in its weird tones I heard something akin to The Residents mixed with a bit of Suicide. Anonymous, urgent, vibrant and one of those drawdropping crossover albums that blends synths and rock together like they always belonged together.
The band have prepped a politicised four-track 12″ EP for Record Store Day that takes tracks by The Fugs, Joey Beltram and overlooked Eighties cult band Comateens and plays freely with the lyrics to make their messages more relevant to a modern world that’s evidently going to – or possibly already gone to – the dogs.
The EP is rounded out with a version of CAN‘s ‘Bel Air’, originally from 1973’s Future Days, which takes the serene, hypnotic Californian chill of the original and adds a sinister edge, its repeated references to dressing gowns jabbing pointedly at Weinstein’s alleged Hollywood misdemeanors.
Check out the video for the band’s blistering take on The Fugs’ ‘CIA Man’ here.
(c) 2018 Mat Smith / Documentary Evidence