Yeasayer‘s fifth album, Erotic Reruns, was released today via their own Yeasayer Records. The LP saw the trio of Chris Keating, Ira Wolf Tuton and Anand Wilder returning to the live compositional style of their earliest releases, taking their inspiration from 70s MOR, personal relationships and the prevailing US political environment.
To coincide with the release, I spoke to the band’s Anand Wilder for Clash about the genesis of the album, leaving the comfort blanket of record labels behind and the necessary tensions within this enduring New York group.
Read the Clash interview here.
Buy Erotic Reruns from Yeasayer’s website.
(c) 2019 Mat Smith / Documentary Evidence for Clash.
“In thrall to the methods of Can, if not their actual sound.” – Electronic Sound
I heralded the trio of Scott and Bryan Devendorf (from The National) and Bryan Lanz (from Beirut) as my new favourite band upon the release of their self-titled album for 4AD earlier this year. It would the first of three such occasions where I made that claim.
This was a frighteningly inventive LP, formed out of the same sort of long-form improvised jams that Can used nearly fifty years before in the creation of their seminal early records, only then treated and manipulated to take on a relatively ‘composed’ form. The output was a sort of Krautrock / electronic hybrid whose details reveal themselves over repeated listens.
I reviewed the album for Electronic Sound and interviewed Scott Devendorf for Clash. Back issues of Electronic Sound are available at http://www.electronicsound.co.uk while my interview can be read here.
(c) 2016 Mat Smith / Documentary Evidence