“Effortless electronic majesty.”
– Electronic Sound
The release of a new Erasure album is always an emotional experience for me, but that’s what happens when you’ve been a fan for so long (nearly 30 years) and when everything else you’ve ever listened to can, on some level, be connected back to them.
However, even without that context – some might say bias – World Be Gone stands out. It’s the type of mature, bold pop that you’d want a duo like Andy Bell and Vince Clarke to make after this long in the business. It’s an album tinged with despair and disappointment at a world that seems to have turned backwards toward a more hateful, vengeful and intolerant version of itself; one that is occasionally hopeful but one that feels like all hope is gone.
None of this was a surprise to me when I heard World Be Gone for the first time, but some people commented to me that they thought the earlier demos for the songs would have been much faster and more uplifting rather than, as presented on the LP, slower and more thoughful affairs. That wasn’t the case – these songs were always intended to be thus, and World Be Gone is all the more coherent for it.
I reviewed the album for Electronic Sound, and I recall that the copy was all written during a flight to Miami with my family. A few days later I was told that a quote from the review would be used on posters to promote the album. I mentioned that to Vince Clarke just after the posters went up on the London Underground, and he refused to believe that there would be posters supporting the record at all. He also refused to let me show him the proof. Here it is (thanks Richard Evans).
Listen to World Be Gone here.
Buy Electronic Sound at www.electronicsound.co.uk.
I continued my work with Vince’s VeryRecords by writing the supporting press materials for Alka‘s The Colour Of Terrible Crystal album. This is truly a work of electronic genius by Bryan Michael and if you haven’t heard it yet, you should.
Given my involvement, albeit behind the scenes, I felt slightly conflicted putting it into my top ten, so I’ve grouped it in here with Erasure because Vince is the common denominator to both.
(c) 2017 Mat Smith / Documentary Evidence