Documentary Evidence 2016 Top 10 Albums: 1. onDeadWaves ‘On Dead Waves’

“Posesses a stripped-back, nascent, haunted bluesy quality, which is both arresting and intriguing by equal measure.” – Clash

I would love to say that identifying my favourite album of 2016 was a trial so painful I almost gave up the whole notion of doing this, but that would be a complete lie. I always knew this one would be it, pretty much from the moment I heard it.

onDeadWaves is a powerful collaboration between Mute stalwarts Polly Scattergood and James ‘Maps’ Chapman. They first performed together at the Short Circuit festival back in 2011 and finally put this album together for release this year. As I noted in my review for Clash, the concept of two singers coming together when their lyrics are usually so uniformly downbeat is, at least on paper, a terrifying prospect. But it’s not like that in reality.

This is an album that is borderline profound, completely moving and inventive at every turn, full of mesmerising fragility and cavernous emotional depth, daubed with an oblique Americana; an album that makes you appreciate music slightly differently after its played with your emotions so effortlessly; a music delivered with an intimacy that feels like eavesdropping on private musings.

My review for Clash can be found here.

(c) 2016 Mat Smith / Documentary Evidence

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