Electronic Sound #21 – Print Edition


As if I wasn’t proud already about being part of the Electronic Sound team, this month that sense of pride went up a couple of notches as the publication made the transition from being an entirely digital proposition to a fully-fledged newsstand magazine. That’s a bold move in a day and age where we’re told that everything is going in the opposite direction, but the team at Electronic Sound have undoubtedly pulled it off. You can buy copies of the print edition here.

I’m doubly proud because one of the most important features I’ve ever had the good fortune to scribe is heavily featured in the first newsstand edition – an interview with Very Records owner and one half of Erasure, Vince Clarke. The interview was conducted one extremely sticky May afternoon in Vince’s Brooklyn home studio.

As if that wasn’t seismic enough for an individual whose entire interest in music writing can be traced back to a record label flyer that fell out of the 12″ single of Erasure’s ‘Chorus’ almost 25 years ago, we were joined by Orbital’s Paul Hartnoll by Skype from his home in Brighton to discuss the Clarke / Hartnoll album 2Square. Once I’d properly decided that dance music was the place for me in the mid-Nineties, Orbital were a duo I fell for in a big way, and so getting airtime with not one, but two, idols in one go was a pretty sweet deal. I am eternally grateful to Electronic Sound for this opportunity, and also to my family for letting me duck out of part of our vacation in New York to undertake the interview.
Photography for the interview came from the wonderful Ed Walker. Ed wrote a great piece about the experience for his website, which can be read here. While you’re there, please do take a look at Ed’s surreptitious photographs of New Yorkers, which are all taken during a specific period of the day where light is particularly beautiful.

In addition to the Clarke / Hartnoll feature, I also interviewed Rico Conning for this issue. Conning will be familiar to Mute fans because of the remixes and edits he did for the label during its Eighties heyday. I had not appreciated that prior to working at William Orbit’s Guerrila Studio, Conning (and Fad Gadget drummer Nick Cash) had been in a post-punk band called The Lines. The interview tells the story of their hitherto lost third album, Hull Down, which was finally released earlier this year.

(c) 2016 Mat Smith / Documentary Evidence for Electronic Sound

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