Jono Podmore – Jaki Liebezeit: Life, Theory And Practice Of A Master Drummer (book, 2017)

Jaki Liebezeit, photo courtesy of Jono Podmore

Metamono‘s Jono Podmore (aka Kumo) has arguably done more than anyone else in recent years to keep the legacy of Can alive, whether in groups like Cyclopean with Can members Jaki Liebezeit and Irmin Schmidt, or remastering the Can back catalogue and sundry unreleased cuts with Holger Czukay and long-standing Can supporter Daniel Miller.

To those initiatives can be added a new book that Podmore has assembled with US music journalist John Payne, Jaki Liebezeit: Life, Theory & Practice Of A Master Drummer, which seeks to document the unique approach practiced by Can’s late drummer, who passed away in January of this year. The book is currently subject to a crowdfunding campaign via Unbound which can be found here.

I wrote a news piece for Clash which explains more about the book and which can be found here.

In the process of putting my news piece together I asked Podmore for his recollections of working with Liebezeit, and that insight can be found in the Clash piece. “While we were having dinner one night, I was putting on some music,” Podmore also recalled. “At one point I put on some Charles Mingus. Without looking up, Jaki said, with a mixture of confusion and disgust, ‘Jazz? Been there. Done that.’ With that in mind I asked him if there were any other drummers that interested him. ‘Yes,’ he said. ‘808 and 909.'”

(c) 2017 Mat Smith / Documentary Evidence for Clash

RAC – Ego (Counter Records, 2017)

“Pop music really shouldn’t be this clever.” — Clash review, July 2017

André Allen Anjos, aka RAC, is set to release his second album of smart pop songs with a revolving cast of singers later this week via Ninja Tune’s Counter subsidiary.

I reviewed the album for Clash. You can read my review here. Suffice to say that I don’t think I’ve heard a pop album by a modern act this good for a long, long time.

(c) 2017 Mat Smith / Documentary Evidence for Clash

Toro y Moi – Boo Boo (Carpark Records album, 2017)

Boo Boo feels like what we might call a coming-of-age album, the theme of which is that, despite all our best endeavours, life isn’t always perfect.

I reviewed the very fine new Toro y Moi for Clash. My review can be found here

(c) 2017 Mat Smith / Documentary Evidence for Clash

Electronic Sound – Issue 30 – Kraftwerk / Alison Moyet

Issue 30 of Electronic Sound has hit the newstands with everyone’s favourite Düsseldorf electronic pioneers (and onetime Mute act) Kraftwerk gracing the cover and the subject of a major feature to coincide with their UK tour. The special edition version of the magazine includes a 7″ with Orbital covering ‘Numbers’ from Computer World, backed with a new track from Der Plan.

This month I had the pleasure of interviewing Alison Moyet over drinks in Chelsea about her sensational new album Other, her second collaboration with multi-instrumentalist producer Guy Sigsworth. I also wrote pieces on clever techno producer Daniel Ruane, electronic legend Ragnar Grippe, IX Tab, the wonderfully-named Deathcount In Silicon Valley, ex-Coil / Psychic TV member Drew McDowall and the latest album from Ghostly Records Brooklynites Xeno & Oaklander.

Rounding out all of that, I wrote a long review of the second Floating Points album; Sam Shepherd’s first album, 2015’s Elaenia was my favourite album of that year and Shepherd has somehow managed to sidestep the typical difficult-second-album issues with a thrilling electronically-inflected jazz rock epic influenced by the environs in which it was recorded, the mysterious Joshua Tree National Park.

A big congratulations to the team at Electronic Sound who just completed an extremely successful funding round on Crowdcube.

The special edition issue of the issue 30 can be purchased here.

(c) 2017 Mat Smith / Documentary Evidence

Fader – First Light (Blanc Check Records album, 2017)

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Fader is a duo of Blancmange’s Neil Arthur – whose collaboration with Mute stalwarts Fortran 5 on ‘Persian Blues’ remains, in my humble opinion, an overlooked classic – and Benge from John Foxx & The Maths.

First Light is their first album and is released by Blanc Check next week. Here you’ll find Arthur at his elliptical best, backed by some varied and truly ingenious electronic backdrops.

I reviewed the album for This Is Not Reto. My thoughts can be read here.

(c) 2017 Mat Smith / Documentary Evidence for This Is Not Retro

Can – The Singles (Spoon / Mute compilation, 2017)

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Last week Spoon / Mute released The Singles, a collection of all of Can‘s singles and selected B-sides, which serves as a great entry point into the musical genius of this band.

I reviewed the compilation for Clash – read my thoughts here.

(c) 2017 Mat Smith / Documentary Evidence for Clash

Electronic Sound – Issue 29 – New Order / Erasure

The latest issue of Electronic Sound includes a major new interview with New Order ahead of their new live album for Mute, NOMC15. The magazine has also landed a major coup by bundling an exclusive clear vinyl 7″ with special copies of the new issue which includes a previously-unreleased remix of New Order’s ‘Academic’.

I contributed a handful of reviews to the latest issue covering the eclectic fields of pop, electronic jazz, electronic grunge and cinematic soundtrack-friendly material in the form of write-ups of new releases by Slackk, Stuff, The Mark Lanegan Band, Kilchhofer / Hainbach and Erasure. I was proud to achieve another career first this month when a quote from my Erasure review made it to the posters promoting their new album World Be Gone across London’s Underground network.

To buy the special New Order edition of issue 29 of Electronic Sound, head here.

(c) 2017 Mat Smith / Documentary Evidence